During “You Look Good in My Shirt” he ran into the crowd and performed from a mic stand far out in the general admission section, and handed off his guitar to a fan.ĭespite all that, it’s hard to stomach some of Urban’s lyrics. It was a thoughtful set: Urban ad libbed lyrics about Colorado and did an impromptu, genuinely gorgeous, cover of John Denver’s “Take Me Home, Country Roads ” he gave a shout-out to locals Jack and Stephanie Wheeler and gave Aspen some serious showmanship. He was grateful to take the stage on a clear and starry summer evening in Snowmass Village: “This is the kind of night we’ve been dreaming about playing.” Urban last played here in the pouring rain at the 2013 Labor Day fest. Urban showed off some impressive guitar licks on songs like “Long Hot Summer,” “Put You in a Song” and “Wasted Time.” He also had couples slow dancing through the ballads “Blue’s Not Your Color” and “But for the Grace of God.” Keith Urban’s headlining set Saturday night filled two hours with his ear-wormy pop country songs and proved that guitar rock isn’t dead - we just call it country these days. The rest of the three-day festival cut a wide swath of pop music, with doses of country, rock, hip-hop and some surprises. Their encore - ripping through “Rich Girl,” “Kiss on my List,” “Private Eyes” and “You Make My Dreams” - sure did. He and Oates still know how to show a crowd a good time. I don’t know if any protesters will sing this Hall & Oates classic from the ’80s as they march on Washington, but if anybody is going to lead that charge, it’s Hall, who has morphed through the decades into a feather-haired Muppet of a man, wearing a perma-smile and sunglasses through this memorable night. You’ve got to stand up for yourself and say, ‘I can’t go for that!’” “I don’t think anybody would argue with that. A fired-up Hall turned “I Can’t Go For That” into a rabble-rousing protest anthem. Casual” DeChant, who wore a Gandalf-length mane of gray hair and a gold-spangled jacket. But high points from the rest of the set included an extended jam on “One on One,” featuring one of a handful of center-stage solos from longtime Hall & Oates sax player Charles “Mr. Maybe you had to be there, but Oates’ rendition came off like a heartfelt goodbye to this mountain town - a sort of break-up song for Aspen.įor locals, nothing was going to top that moment. He then offered some words about what Aspen meant to him and the “long, amazing time” he’s had here, before taking lead vocals on a cover of the Righteous Brothers’ “You Lost That Loving Feeling.”
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